Jazz, Sex, and Cocktails: Playboy in the 50s



Hugh Hefner may be the ultimate Alpha Male: suave, sophisticated, successful, and stylish, a rebel with a cause who revolutionized (and revitalized) the publishing industry in 1953 with a magazine that was at first modestly designed but already boldly boasting an immodest agenda. The immediate popularity of Playboy upended social mores both sexual and racial, as Hef was a barrier-busting pioneer in all realms of progressive change, despite charges of sexist exploitation. I've met a few centerfolds and bunnies in my time, including Jeane Manson, Miss August 1974, a major singing star in France who happens to be my father's ex-wife, and they were all strong, sensuous women: unashamed, unafraid, and unshackled. My father became good friends with Hef, and was a frequent guest at the Brentwood mansion. I never had the opportunity to visit, since it was invitation only, but that's okay - it could never live up to my expectations, especially with my retro sensibilities. To me, the ultimate Playboy mansion was the Chicago set of Hef's groundbreaking television series, Playboy's Penthouse (1959-1961), the real Mad Men, wherein celebrities and influential icons of the day from Lenny Bruce to Sammy Davis Jr. would drop by for some informal chatting, drinking and performing, mingling freely with gorgeous women and each other, regardless of race. His later series Playboy After Dark (1969-70) replicated this formula for a totally different era.

Pinup legend Bettie Page
Iconic bombshell Jayne Mansfield
B movie goddess Yvette Vickers
Cult movie queen Mara Corday
Below is an extensive pictorial overview of Playboy's first glorious decade, or rather, 1953-59. The pinups are relatively tame by today's standards, or even those of the truly emancipating decade of the 1960s, yet ethereally, eternally erotic and boundlessly beautiful. But Playboy promoted more than an appreciation of the female form as living Art - Hef was a champion of Jazz, Literature, Cinema, Progressive Politics, and the Modern lifestyle, ever on the cutting edge of swingin', liberating culture, and within these pages were many tantalizing time capsules of Space Age aesthetics, always with an eye to a bright, shiny Future, filled with Hope and healthy Hedonism. Here's to the dreams of the past, preserved forever in the plush bedroom of our collective imaginations...



Will Viharo

WILL "THE THRILL" VIHARO is a freelance writer and the author of several "gonzo pulp" novels including "A Mermaid Drowns in the Midnight Lounge," "Freaks That Carry Your Luggage up to the Room," "Chumpy Walnut," "Lavender Blonde," "Down a Dark Alley," and the “Vic Valentine, Private Eye” series, the first of which, "Love Stories Are Too Violent For Me," has been optioned for a film by Christian Slater, reissued in 2013 by Gutter Books, which also published the new Vic Valentine novel "Hard-boiled Heart" in December, 2015.

Two science fiction novels, "It Came from Hangar 18" and "The Space Needler's Intergalactic Bar Guide," were written in collaboration with Scott Fulks, who added real science to Will's pulp.

Will's own imprint, Thrillville Press, has issued a three volume anthology series featuring all of his standalone novels called "The Thrillville Pulp Fiction Collection," along with another omnibus called "The Vic Valentine Classic Case Files," which include four novels from the 1990s, "Fate Is My Pimp," "Romance Takes a Rain Check," "I Lost My Heart in Hollywood," and "Diary of a Dick," plus a recent short story, "Brain Mistrust."

More recently published books include the Vic Valentine "Mental Case Files" trilogy comprised of "Vic Valentine: International Man of Misery," "Vic Valentine: Lounge Lizard For Hire," and "Vic Valentine: Space Cadet"; the original story collection "Vic Valentine, Private Eye: 14 Vignettes"; the erotic horror noir novella "Things I Do When I'm Awake"; and a collection of erotic horror noir stories, "VIHORROR! Cocktales of Sex and Death."

Additionally Will has had stories included in a variety of anthologies including "Fast Women and Neon Lights: Eighties-Inspired Neon Noir"; "Mixed Up!"; "Long Distance Drunks: A Tribute to Charles Bukowski"; "Deadlines: A Tribute to William Wallace"; "Dark Yonder: Tales and Tabs"; "Knucklehead Noir" and "Weird Winter Wonderland" (both Coffin Hop Press); and "Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror."

Viharo's unique brand of "gonzo pulp fiction" combines elements of eroticism, noir, fantasy, and horror. For many years he has also been a professional film programmer/impresario and live music booker. He now lives in Seattle, WA with his wife and cats

https://www.thrillville.net
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Sex & Monsters: the Erotic Fantasy Art of Boris Vallejo