Facebook and the Fear of the Female Nipple

Italian pulp mags of the 70s specialized in erotic horror
Facebook found this unacceptable - really?
Retouched "Bride" photo by DB Jones
Recently a picture I posted on my Facebook page was suddenly removed, with a warning. That has never happened to me before, and I've been posting vintage pulp/pinup/poster art on my page for years, since that's a big part of what I'm all about, and it's my forum, and if you don't like it, don't be my friend. Obviously someone with a bug up their ass dropped a dime on me. I found the image innocuous and inoffensive, especially since it was simply promotional artwork for a Hammer sci-fi film that never actually got made, tentatively titled When the Earth Cracked Open. Here it is, on my own blog, where (I hope and trust) I'm free to express myself creatively without fear of censorship. Now you tell me why this vintage artwork would be deemed morally unacceptable to share in a public forum...

Marilyn Monroe's famous Playboy centerfold, 1953
You got it: tits. Mammaries. Bosoms. We all got 'em - born with 'em, in fact. Apparently you can display the male chest in all its glory on Facebook, as I've often witnessed, or bountiful cleavage, suggesting the forbidden, formidable, foreboding presence of these most taboo of innocent body parts. But even sharing an illustration of female nipples sent some anonymous prude into a Janet Jackson halftime type meltdown. Now my Facebook page, which I need to remain active for business networking purposes, mainly peddling my own pulp fiction, is probably being watched more closely, and could be in jeopardy of shutdown. Because of an old movie poster. For a movie that was never even made.
Artwork for the 1978 giallo, La Sorela di Ursula
El Santo le gusto chi-chi's...



Reluctantly, I heeded Facebook's puritanical but authoritative admonition and preemptively deleted other found and scanned images from my Facebook photo albums that may be deemed in violation of this suddenly strict no-nipple policy. Instead, I'm reposting them here, along with some others from my private files I knew would cross the line, so I didn't bother to post them on Facebook. Personally, I love looking at female breasts. I find them arresting. As long as I don't get arrested in the process. Some in our  pro-violence/anti-sex society want to defend the right to bear arms. I'm defending the right to bare breasts. 

Lina Romay in Jess Franco's Female Vampire (1973)
Art by Fritz Willis
So here, just for the hell of it, and because censorship really pisses me off, is a gallery of gorgeous gals in all their glorious gall, a pulpy parade of prurient pinup pulchritude, an exotic, erotic exercise in excellent exploitation. They all have two things in common. Enjoy.

Ed Wood's Orgy of the Dead (1965)

Forbidden jungle love


By the great Frank Frazetta



Nazisploitation was common in 50s/60s Men's Magazines

Anita Ekberg

Diane Webber

Even mainstream master Gil Elvgren let a tasteful - and tasty - nipple pop out now and then


Irish McCalla
Pam Grier
Bettie Page
Will Viharo

WILL "THE THRILL" VIHARO is a freelance writer and the author of several "gonzo pulp" novels including "A Mermaid Drowns in the Midnight Lounge," "Freaks That Carry Your Luggage up to the Room," "Chumpy Walnut," "Lavender Blonde," "Down a Dark Alley," and the “Vic Valentine, Private Eye” series, the first of which, "Love Stories Are Too Violent For Me," has been optioned for a film by Christian Slater, reissued in 2013 by Gutter Books, which also published the new Vic Valentine novel "Hard-boiled Heart" in December, 2015.

Two science fiction novels, "It Came from Hangar 18" and "The Space Needler's Intergalactic Bar Guide," were written in collaboration with Scott Fulks, who added real science to Will's pulp.

Will's own imprint, Thrillville Press, has issued a three volume anthology series featuring all of his standalone novels called "The Thrillville Pulp Fiction Collection," along with another omnibus called "The Vic Valentine Classic Case Files," which include four novels from the 1990s, "Fate Is My Pimp," "Romance Takes a Rain Check," "I Lost My Heart in Hollywood," and "Diary of a Dick," plus a recent short story, "Brain Mistrust."

More recently published books include the Vic Valentine "Mental Case Files" trilogy comprised of "Vic Valentine: International Man of Misery," "Vic Valentine: Lounge Lizard For Hire," and "Vic Valentine: Space Cadet"; the original story collection "Vic Valentine, Private Eye: 14 Vignettes"; the erotic horror noir novella "Things I Do When I'm Awake"; and a collection of erotic horror noir stories, "VIHORROR! Cocktales of Sex and Death."

Additionally Will has had stories included in a variety of anthologies including "Fast Women and Neon Lights: Eighties-Inspired Neon Noir"; "Mixed Up!"; "Long Distance Drunks: A Tribute to Charles Bukowski"; "Deadlines: A Tribute to William Wallace"; "Dark Yonder: Tales and Tabs"; "Knucklehead Noir" and "Weird Winter Wonderland" (both Coffin Hop Press); and "Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror."

Viharo's unique brand of "gonzo pulp fiction" combines elements of eroticism, noir, fantasy, and horror. For many years he has also been a professional film programmer/impresario and live music booker. He now lives in Seattle, WA with his wife and cats

https://www.thrillville.net
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Sex & Monsters: the Erotic Fantasy Art of Boris Vallejo

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Turning 49: mining for gold