Mamie Van Doren: Last of the Blonde Bombshells






Mamie and former husband/frequent co-star, bandleader Ray Anthony

With Mamie, April 2000, Hollywood

They don't make 'em like Mamie anymore. A contemporary of fellow buxom icons Marilyn Monroe and Jayne Mansfield, both of whom departed our dimension decades ago, Mamie just turned a vivacious 79 this past February 6, and she's still swingin', as evidenced by her very busy web site. Back in 2000, after corresponding with Mamie via email (and snail mail, she sent me a few autographed photos I still cherish), Monica and I trekked down to Hollywood to catch her being interviewed live on stage at the Egyptian Theater, before a screening of her 1959 crime flick Guns, Girls and Gangsters, as part of Eddie Muller's annual LA film noir festival. It was the first (and so far, only) time we met in the flesh. Mamie is a class act - sexy, sassy, savvy. The only movie of hers I showed during my years at the Parkway was the only one I could find in 35mm, Jack Arnold's undercover hipster narc thriller High School Confidential (1958), which is also one of her best. It's one of several films she did with schlockmeister Albert Zugsmith. Others include Girls Town (1959), The Beat Generation (1959), College Confidential (1960), and SEX KITTEN GO TO COLLEGE (1960), which I'm showing next week on a double bill with her 1957 rockabilly prison farm classic UNTAMED YOUTH, co-starring fellow sex bomb Jeanne Carmen, Lori Nelson and legendary rocker Eddie Cochran. The version of Sex Kittens I'm hosting features the notorious "robot topless dancer scene" which was apparently only released in Europe. It has to be seen to be believed. As with all of her Zugsmith productions, the cast of Sex Kittens is an astonishing roster of Hollywood has beens and hep cats: John Carradine, Tuesday Weld, Vampira, Jackie Coogan, Martin Milner, and Louis Nye, to name a few. But Mamie, as the tassel-tossin' "professor," steals the show. These are two of my favorite Mamie flicks (on hard-to-find DVD, no prints to be had) and I'm happy to finally pay tribute to this great lady. Hope to see you Thursday, February 25, 7:30 at the Camera 3 Cinema in downtown San Jose. Cheers.



Will Viharo

WILL "THE THRILL" VIHARO is a freelance writer and the author of several "gonzo pulp" novels including "A Mermaid Drowns in the Midnight Lounge," "Freaks That Carry Your Luggage up to the Room," "Chumpy Walnut," "Lavender Blonde," "Down a Dark Alley," and the “Vic Valentine, Private Eye” series, the first of which, "Love Stories Are Too Violent For Me," has been optioned for a film by Christian Slater, reissued in 2013 by Gutter Books, which also published the new Vic Valentine novel "Hard-boiled Heart" in December, 2015.

Two science fiction novels, "It Came from Hangar 18" and "The Space Needler's Intergalactic Bar Guide," were written in collaboration with Scott Fulks, who added real science to Will's pulp.

Will's own imprint, Thrillville Press, has issued a three volume anthology series featuring all of his standalone novels called "The Thrillville Pulp Fiction Collection," along with another omnibus called "The Vic Valentine Classic Case Files," which include four novels from the 1990s, "Fate Is My Pimp," "Romance Takes a Rain Check," "I Lost My Heart in Hollywood," and "Diary of a Dick," plus a recent short story, "Brain Mistrust."

More recently published books include the Vic Valentine "Mental Case Files" trilogy comprised of "Vic Valentine: International Man of Misery," "Vic Valentine: Lounge Lizard For Hire," and "Vic Valentine: Space Cadet"; the original story collection "Vic Valentine, Private Eye: 14 Vignettes"; the erotic horror noir novella "Things I Do When I'm Awake"; and a collection of erotic horror noir stories, "VIHORROR! Cocktales of Sex and Death."

Additionally Will has had stories included in a variety of anthologies including "Fast Women and Neon Lights: Eighties-Inspired Neon Noir"; "Mixed Up!"; "Long Distance Drunks: A Tribute to Charles Bukowski"; "Deadlines: A Tribute to William Wallace"; "Dark Yonder: Tales and Tabs"; "Knucklehead Noir" and "Weird Winter Wonderland" (both Coffin Hop Press); and "Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror."

Viharo's unique brand of "gonzo pulp fiction" combines elements of eroticism, noir, fantasy, and horror. For many years he has also been a professional film programmer/impresario and live music booker. He now lives in Seattle, WA with his wife and cats

https://www.thrillville.net
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