Five Easy Questions: STUART GORDON

STUART GORDON is one of the few current filmmakers whose work will be studied, with appropriate shock and awe, decades from now. His bold style and unique vision are thematically diverse, visually distinctive, graphically imaginative, pointedly satirical, socially relevant and unfailingly entertaining. In
anticipation of Thrillville's 12th Anniversary Show on April 9 at the Cerrito Speakeasy Theater in El Cerrito CA, featuring an undead double bill of Ed Wood's Plan 9 From Outer Space and Gordon's macabre masterwork Re-Animator, I caught up with the Master of Mirthful Mayhem:









Thrill: Re-Animator is rumored for a remake. I am not against all remakes but this truly seems impossible to successfully pull off, since the original was a perfect confluence of timing and talent. Do you think the audience has become too shockproof for stuff like this?


SG: As far as I know the Re-Animator remake is only a rumor. But it’s true that remakes are seldom as good as the originals. The scariest movies are created outside the studio system on non-existent budgets by people who will stop at nothing to terrorize an audience. The remakes are done by corporate dweebs out to make a buck. No audience is shockproof. You just have to find new ways to shock them.

Thrill: Your films - Re-Animator and sequels, From Beyond, Robot Jox , Castle Freak, Dolls, Dagon (my personal favorite next to Re-Animator), etc - were truly revolutionary in terms of pushing the envelope. Do you think horror films have changed much (for better or worse) in the last 20 or so years?

SG: Every decade finds a new type of horror. In the eighties it was splatter. The nineties brought us Asian ghost stories. Now we are experiencing plague movies and torture porn (a term I find insulting). In my opinion this is a reaction to 9/11, and horror has never been more popular.


Thrill: I know your background is in theater. What and who are some of your filmmaking influences?

SG: I’m a big fan of Hitchcock, Polanski and Kubrick. But I also love Fellini and the Marx Brothers. My film school was Rosemary's Baby. It taught me how shot composition can create a truly subjective film experience.


Thrill: I love all your work including non-horror (but still horrifying) films like King of the Ants, Edmond and most recently, Stuck. It seems like you have intentionally branched out. All of your films, regardless of genre, boast a really brilliant, dark sense of humor. Ever though of making a flat-out comedy, or is subversive satire more your bag?


SG: All of my films end up being funny. Someone once said that life is too important to be taken seriously.

Thrill: What are you working on now? Is there really going to be a House of Re-Animator?

SG: I’m working on several projects at the moment, but unfortunately House of Re-Animator is not one of them. That film was planned to be a send-up of the Bush administration, but its time has come and gone along with the bastards who almost destroyed our country.

Thrill: Damn...Bush screws us again....cheers.

THRILLVILLE'S 12TH ANNIVERSARY SHOW
Hosted by Will the Thrill & Monica Tiki Goddess

PLAN 9 FROM OUTER SPACE (1959, color)
RE-ANIMATOR (1985)
The premiere of Ernie "Hardware Wars" Fosselius's new short puppet film, "Plan 9.1 From
Outer Space"
Special guest MR. LOBO
Live burlesque by THE TWILIGHT VIXEN REVUE
Thursday, April 9, 7:30, 18+, $12, advance tix on sale at box office Sunday April 5
CERRITO SPEAKEASY THEATER
10070 San Pablo Ave., El Cerrito

Poster by Aaron Farmer




Will Viharo

WILL "THE THRILL" VIHARO is a freelance writer and the author of several "gonzo pulp" novels including "A Mermaid Drowns in the Midnight Lounge," "Freaks That Carry Your Luggage up to the Room," "Chumpy Walnut," "Lavender Blonde," "Down a Dark Alley," and the “Vic Valentine, Private Eye” series, the first of which, "Love Stories Are Too Violent For Me," has been optioned for a film by Christian Slater, reissued in 2013 by Gutter Books, which also published the new Vic Valentine novel "Hard-boiled Heart" in December, 2015.

Two science fiction novels, "It Came from Hangar 18" and "The Space Needler's Intergalactic Bar Guide," were written in collaboration with Scott Fulks, who added real science to Will's pulp.

Will's own imprint, Thrillville Press, has issued a three volume anthology series featuring all of his standalone novels called "The Thrillville Pulp Fiction Collection," along with another omnibus called "The Vic Valentine Classic Case Files," which include four novels from the 1990s, "Fate Is My Pimp," "Romance Takes a Rain Check," "I Lost My Heart in Hollywood," and "Diary of a Dick," plus a recent short story, "Brain Mistrust."

More recently published books include the Vic Valentine "Mental Case Files" trilogy comprised of "Vic Valentine: International Man of Misery," "Vic Valentine: Lounge Lizard For Hire," and "Vic Valentine: Space Cadet"; the original story collection "Vic Valentine, Private Eye: 14 Vignettes"; the erotic horror noir novella "Things I Do When I'm Awake"; and a collection of erotic horror noir stories, "VIHORROR! Cocktales of Sex and Death."

Additionally Will has had stories included in a variety of anthologies including "Fast Women and Neon Lights: Eighties-Inspired Neon Noir"; "Mixed Up!"; "Long Distance Drunks: A Tribute to Charles Bukowski"; "Deadlines: A Tribute to William Wallace"; "Dark Yonder: Tales and Tabs"; "Knucklehead Noir" and "Weird Winter Wonderland" (both Coffin Hop Press); and "Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror."

Viharo's unique brand of "gonzo pulp fiction" combines elements of eroticism, noir, fantasy, and horror. For many years he has also been a professional film programmer/impresario and live music booker. He now lives in Seattle, WA with his wife and cats

https://www.thrillville.net
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Five Easy Questions: TED V. MIKELS

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