Five Easy Questions: LLOYD KAUFMAN

LLOYD KAUFMAN is to cult movies what Alpo is to dog food. He's a recognized, celebrated brand name boasting a tried-and-true tradition you don't mess with, reliable and undeniable. His underground film dynasty Troma Entertainment revolutionized the indie market in the '80s and '90s with tantalizing titles like The Toxic Avenger, Surf Nazis Must Die, and Chopper Chicks in Zombietown, and his hit factory continues to smoke 'n' grind in the 21st Century with the fine feathered phenom Poultrygeist: Night of the Chicken Dead and the recent Australian horror hit The Demons Among Us, ready to invade the US courtesy of Monogram Releasing. Here is a brief Q&A with this sweetly demented legend whom everyone affectionately (and wishfully) refers to as "Uncle Lloyd":


With "Uncle Lloyd" at the B Movie Celebration,
September '08














Will the Thrill: How did you become associated with the Australian horror flick The Demons Among Us, and what appeals most to you about it?

LK: I was in Australia at the Perth Film Festival where they were holding a Troma Tribute when I first saw Demons Among Us. It immediately caught my attention because it’s a wonderful satire on the media and is expertly made (by a first-time filmmaker no less!). Needless to say, after its screening, we got in touch with filmmaker Stuart Simpson, fluids were exchanged and we made them an offer they couldn’t refuse (or cure with over-the-counter antibiotics).


Let's give a big hand for Lloyd!





Thrill: How would you say Demons differs in tone and content from original Troma flicks? Was this a conscious step in a new direction?

LK: Troma is known for pushing the envelope and defying convention. Demons Among Us has a style all its own, a zombie-type movie with an anti-advertising theme (something near and dear to my heart). Even more impressive, Stuart did all of his own special effects and was able to do some absolutely amazing things during Post Production. He’s a whiz! It’s such a rarity to find both style and substance in a film, so we had to get into bed with them or, in my case, a stained mattress in a Lower East Side squat. Now, I would never take a serious interview like this to promote anything Troma-related, but Demons Among Us will be available on DVD immediately following its screenings which can find here.

Thrill: Tell us a bit about the genesis of Poultrygeist. What possessed you to cook up this crazy idea? Eating a chicken sandwich in a deli one day....?

LK: As my second book, Make Your Own Damn Movie, opens, I'm in the basement with Gabe Friedman (one of the Poultrygeist screenwriters), fighting off these raccoon-sized rats as a metaphor for what you have to do when you're an independent filmmaker. That was a big inspiration, that McDonald's inspired these rats to have their weekend vacations in our basement. That led me to start learning about the evils of the fast food industry and from there, a film featuring Indian chicken zombies was born! A little known fact about Poultrygeist is that it is a shot-by-shot remake of Steven Spielberg’s Schindler’s List. Again, I would never take an opportunity during an interview such as this for self-promotion, but you can learn more about the film by checking out the website.


Thrill: Talk a little bit about TromaDance - what is it, and why is it?

LK: It was ten years ago that Robert Redford personally asked me to create a festival to criticize the non-independent Sundance Film Festival. From there, TromaDance, the first film festival wholeheartedly devoted to filmmakers and fans, was born. Unlike every other film festival, TromaDance does not charge filmmakers to submit their films. Entrance to all screenings is free and open to the public. Also, there are no VIP reservations or preferential treatment regarding films, panels, or parties of any kind given. The organizers of TromaDance believe films are meant to be seen, especially when it comes to new filmmakers. Art - in all its forms - is for the people! I would never dare to use this interview to promote the festival but we have a wonderful website where people can learn more about the festival here.

Thrill: Not that you haven't done plenty already, but what's next for Lloyd Kaufman? (Another Toxie flick, hope, hope.....)

LK: Funny you should ask…I’m actually developing The Toxic Avenger 5 which will focus on Toxie’s troublesome teenage toxic twins. Besides that, I’m penning Produce Your Own Damn Movie! which will be my fifth book and the second to be released by Focal Press. Now I would never take a moment to plug my own book, but Direct Your Own Damn Movie!, another Focal Press release, just hit stores and the internet today. Buy it!





Will Viharo

WILL "THE THRILL" VIHARO is a freelance writer and the author of several "gonzo pulp" novels including "A Mermaid Drowns in the Midnight Lounge," "Freaks That Carry Your Luggage up to the Room," "Chumpy Walnut," "Lavender Blonde," "Down a Dark Alley," and the “Vic Valentine, Private Eye” series, the first of which, "Love Stories Are Too Violent For Me," has been optioned for a film by Christian Slater, reissued in 2013 by Gutter Books, which also published the new Vic Valentine novel "Hard-boiled Heart" in December, 2015.

Two science fiction novels, "It Came from Hangar 18" and "The Space Needler's Intergalactic Bar Guide," were written in collaboration with Scott Fulks, who added real science to Will's pulp.

Will's own imprint, Thrillville Press, has issued a three volume anthology series featuring all of his standalone novels called "The Thrillville Pulp Fiction Collection," along with another omnibus called "The Vic Valentine Classic Case Files," which include four novels from the 1990s, "Fate Is My Pimp," "Romance Takes a Rain Check," "I Lost My Heart in Hollywood," and "Diary of a Dick," plus a recent short story, "Brain Mistrust."

More recently published books include the Vic Valentine "Mental Case Files" trilogy comprised of "Vic Valentine: International Man of Misery," "Vic Valentine: Lounge Lizard For Hire," and "Vic Valentine: Space Cadet"; the original story collection "Vic Valentine, Private Eye: 14 Vignettes"; the erotic horror noir novella "Things I Do When I'm Awake"; and a collection of erotic horror noir stories, "VIHORROR! Cocktales of Sex and Death."

Additionally Will has had stories included in a variety of anthologies including "Fast Women and Neon Lights: Eighties-Inspired Neon Noir"; "Mixed Up!"; "Long Distance Drunks: A Tribute to Charles Bukowski"; "Deadlines: A Tribute to William Wallace"; "Dark Yonder: Tales and Tabs"; "Knucklehead Noir" and "Weird Winter Wonderland" (both Coffin Hop Press); and "Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror."

Viharo's unique brand of "gonzo pulp fiction" combines elements of eroticism, noir, fantasy, and horror. For many years he has also been a professional film programmer/impresario and live music booker. He now lives in Seattle, WA with his wife and cats

https://www.thrillville.net
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Five Easy Questions: JASON CROFT

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Diary of a Doorman (Entry #2)