Five Easy Questions: KEVIN TENNEY

KEVIN TENNEY made his name as a famous, favorite cult horror director with his '80s classics WITCHBOARD (1986) and NIGHT OF THE DEMONS (1988). His other entertaining credits include THE CELLAR (1989), PEACEMAKER (1990), and ENDANGERED SPECIES (2002). Besides being a B Movie legend, Mr. Tenney, raised in an itinerant military family, also has "tiki cred" in that he was born in Honolulu! Mr. Tenney's most recent offering is the literally mind-blowing zombie/monster/alien chill ride BRAIN DEAD, unleashed on the world March 20 by Monogram Releasing. Here's a sneak peek into the lively brain of this imaginative and entertaining filmmaker:



Thrill: This seems to be a classic "kitchen sink" movie, as in everything but, but then you threw that in too! Was the intention to make the ultimate B movie, with as many familiar elements as possible, creatively reunited?

KT: In a way, I guess it was. I just wanted to make a film I would want to go see even if I hadn’t directed and produced it. When my partner, Greg McKay, and I decided to form Prodigy Entertainment, we wanted our company's first film to be a fun and funny, over-the-top, politically-incorrect throw-back to the hard-core horror films of the '80's, using real-time make-up and gore FX, vs, the CGI FX that are so popular in today's studio horror films, although not so popular with today’s horror fans, me included. And I think we succeded; BRAIN DEAD is an extreme, gory, cult, zombie, horror-comedy in the vein of EVIL DEAD, RE-ANIMATOR, and my own NIGHT OF THE DEMONS.

Thrill: It's nice to see gratuitous gore and nudity together again. These attributes used to be staples of the genre, which took a somewhat conservative turn somewhere in the late 80s into the 90s. Do you see a return to the glory days of grindhouse cinema?

KT: I don’t know. I think if anyone could accurately predict movie trends, there’d never be another flop made. It does appear that the PG-13 horror films that were so popular a few years ago, like THE GRUDGE and THE RING, have been replaced by the more hard-core, R-rated horror films that are being produced now, like FRIDAY THE 13TH and TEXAS CHAINSAW MASSACRE. But I still believe a good film is a good film, and it will find its audience no matter what type of rating it carries.

Thrill: I think BRAIN DEAD is your best movie since NIGHT OF THE DEMONS. How do you rate it in your eclectic oeuvre?

KT: It’s hard for me to be objective about which of my films is better than the others. My films always look like home movies to me. But my first two films, WITCHBOARD and NIGHT OF THE DEMONS, were both made without a lot of forced input from producers or production companies, so they came the closest to mirroring my creative intent (within the confines of a small budget and tight shooting schedule) than any of the films I’ve helmed since. But since BRAIN DEAD was produced by my production company, it was the first time I was able to have the same kind of creative control I had 20 years ago. It’s interesting that you picked up on that.

Thrill: Who are your favorite filmmakers/sources of inspiration, past or current?

KT: My favorite directors when I was growing up were Alfred Hitchcock (NORTH BY NORTHWEST) first and foremost, Sam Peckinpah (THE WILD BUNCH), Stanley Kubrick (A CLOCKWORK ORANGE), William Friedkin (THE EXORCIST), and Richard Donner (THE OMEN). After I saw JAWS at my local theater in Fairfield, I went up to the poster in the lobby to read the director’s name, because I knew I was going to want to see everything else directed by this new guy, Stephen Spielberg. Then when I attended USC Film School in my twenties, I studied under Edward Dmytryk (THE CAINE MUTINY), who had been one of the “Hollywood Ten” during the House Un-American Committee’s search for Communists in the film industry. I know this is blasphemy, but I wasn’t really interested in independent horror films back then. I didn’t see the original HALLOWEEN, EVIL DEAD, NIGHTMARE ON ELM STREET, or FRIDAY THE 13TH until after I’d made WITCHBOARD and NIGHT OF THE DEMONS.

Thrill: Glad to see you're still at the top of your game after all these years. What keeps you going, and what's up next for you?

KT: What keeps me going? I always direct with an Energizer Bunny in my shorts; it keeps me going, and going, and going, while giving me a warm, fuzzy feeling all over. Next up, my partner, Greg, and I just finished co-producing a NIGHT OF THE DEMONS re-make, which is in post production right now and should be released later this year. I just saw the director’s rough cut last night, and I think the finished film is going to be a fun, gory thrill ride. Greg and I have also acquired the re-make rights to WITCHBOARD, and we are presently in the process of getting the financing in place. Hopefully, we’ll be in production by later this year or early next year.

For more on BRAIN DEAD and places you can see it, read this blog entry.
Cheers.

Will Viharo

WILL "THE THRILL" VIHARO is a freelance writer and the author of several "gonzo pulp" novels including "A Mermaid Drowns in the Midnight Lounge," "Freaks That Carry Your Luggage up to the Room," "Chumpy Walnut," "Lavender Blonde," "Down a Dark Alley," and the “Vic Valentine, Private Eye” series, the first of which, "Love Stories Are Too Violent For Me," has been optioned for a film by Christian Slater, reissued in 2013 by Gutter Books, which also published the new Vic Valentine novel "Hard-boiled Heart" in December, 2015.

Two science fiction novels, "It Came from Hangar 18" and "The Space Needler's Intergalactic Bar Guide," were written in collaboration with Scott Fulks, who added real science to Will's pulp.

Will's own imprint, Thrillville Press, has issued a three volume anthology series featuring all of his standalone novels called "The Thrillville Pulp Fiction Collection," along with another omnibus called "The Vic Valentine Classic Case Files," which include four novels from the 1990s, "Fate Is My Pimp," "Romance Takes a Rain Check," "I Lost My Heart in Hollywood," and "Diary of a Dick," plus a recent short story, "Brain Mistrust."

More recently published books include the Vic Valentine "Mental Case Files" trilogy comprised of "Vic Valentine: International Man of Misery," "Vic Valentine: Lounge Lizard For Hire," and "Vic Valentine: Space Cadet"; the original story collection "Vic Valentine, Private Eye: 14 Vignettes"; the erotic horror noir novella "Things I Do When I'm Awake"; and a collection of erotic horror noir stories, "VIHORROR! Cocktales of Sex and Death."

Additionally Will has had stories included in a variety of anthologies including "Fast Women and Neon Lights: Eighties-Inspired Neon Noir"; "Mixed Up!"; "Long Distance Drunks: A Tribute to Charles Bukowski"; "Deadlines: A Tribute to William Wallace"; "Dark Yonder: Tales and Tabs"; "Knucklehead Noir" and "Weird Winter Wonderland" (both Coffin Hop Press); and "Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror."

Viharo's unique brand of "gonzo pulp fiction" combines elements of eroticism, noir, fantasy, and horror. For many years he has also been a professional film programmer/impresario and live music booker. He now lives in Seattle, WA with his wife and cats

https://www.thrillville.net
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Kevin Tenney's BRAIN DEAD: It's Alive!